(c) Emman de Guzman
Mano Po Lola sa ika-20 na taong pakikibaka
In celebration of the 20th anniversary of the La Lila Filipina, students from the University of the Philippines - Diliman are organizing a tribute to the women who were victims of the violence during the Japanese occupation. The event, Mano Po, Lola, will be held in the Recto Hall of UP Diliman Faculty Center, on October 1st, 2012 at 8 in the morning.
The organizers, all students of FIL 25, FIL 40 and MP 10 of Prof. Vim Nadera, hope that Mano Po, Lola will have a lasting contribution to the fight against sexual violence and historical denial.
MAKIALAM, MAKIBAHAGI, MAKISAMA, MAKIISA.
PS. Guys, if you want to give any message to our grandmas please don’t hesitate to put them in my ask box. We need to show them and let them feel that we are with them in this battle. They really need us, and we can simply help by spreading this message. Thank you very much :D
"In India there is this contradictory reality: it is a country of people who, for the most part, have skin as dark as me. But you just need to open the magazines or watch a Bollywood film to realise that they are all white, with blue eyes." - Lakshmi Menon (Indian supermodel & photographer)
Fidencio Martinez is a mixed-media artist based in Memphis, Tennessee, who uses paint and cut paper to “examine the brown body, the battleground onto which events, perceptions and laws are formed.” He is the recipient of the 2013 Jessie and Dolph Smith Emeritus Fellowship Award.
For more of his work, go to http://www.fidenciomartinez.com/
" #badassartist " I love it.
Instragram - artistfidencio
everyone go send time magazine “Where is Laverne Cox?” in their ask box
Yep !!! I hate those moments !
I really like how she tries to defend herself by stating how much she loooveees Japanese culture
"You guys I did this with Japanese people it’s cool"
"I go to Japan like so much ok I know the culture"
"I know so many Japanese people and even the director was Japanese!"
God these bullshit statements alone just insinuates that hey Japanese people are working with me so I can’t be doing anything wrong or racist, otherwise they’d tell me!
Yeah because even if you’re an artist at the end of her career and desperately trying to save it, you’re still a well-known name and PoC don’t have many opportunities in this industry and will take any job that’s offered to them. This includes everyone who worked on this video. Why?
Because People of Color are easily replaced. They’re expendable.
Oh, you don’t want to work with her cause her entire music video is racist? Whatever. We’ll just find another director/choreographer/dancer.
That’s it. That’s literally it. That’s how it works. So we suck it up and work with these people cause the industry doesn’t value us enough and not working only harms us, not the artist.
I mean, spewing random Japanese words that have nothing to do with your song is just short of saying Ching Chong Long Ting Tong, but you know. She’s just admiring the culture.
Sure does remind me of this skit:
This is extremely racist and insulting. I’m an Asian American. I studied Japanese for two years. I’ve yet to begin to scratch the surface of Japanese culture and etiquette and I’m not even that confident or comfortable speaking or writing it because I don’t feel as if I know enough about it to say I can speak Japanese.
Singing random words in a language you don’t know is racist when you use it for the sake of a song that just appropriates a part of their culture so much.
Then you have your Japanese backup dancers. They all look the same, they’re silent, and “kawaii”.
Of course, to you dear Avril, this sure doesn’t perpetuate the stereotype of cute, obedient, and submissive Asian
womengirls right? They’re just too damn cute and fit your set!
God. You’re turning 30. I don’t care if you want to act childish or dress a certain way. But grow the fuck up and stop making arguments that defend your racist actions and try to justify them by name-dropping everything Japanese.
You’re not Japanese. You don’t know Japanese. You don’t know Japanese culture. Your song doesn’t “honor” or “flatter” Japanese people or Japanese culture. It perpetuates the stereotype the West already holds and you try to pass it off as being cute and creative and appreciative and dedicate it to your Japanese fans.
No. Fuck you.